KRABBESHOLM HØJSKOLE
ART LITERATURE ARCHITECTURE DESIGN GRAPHIC DESIGN
KRABBESHOLM ALLÉ 15
DK 7800 SKIVE
(+45) 9752 0227
POST@KRABBESHOLM.DK

 

> FRONT PAGE
> MAIN COURSES
> EVERYDAY LIFE AT KRABBESHOLM
> GENERAL INFORMATION
> APPLICATION FORM
> PROJECTS
> FOUR BOXES
> KBH KUNSTHAL
> DANSK
 





FOUR BOXES
> SKIVE 2016, 2020, 2060
> GITTE LÆGÅRD: SCULPTURAL COLLAGES
> R E FORM
> PETTERSEN & HEIN: VIBRANT MATTER
> PETER BACH NICOLAISEN: THAT WHICH PASSES
> YOUNG DANISH PHOTOGRAPHY
> ANNA FRO VODDER: GROWING THINGS
> SPINNING BALL OF DOOM
> THE MOST BEAUTIFUL SWISS BOOKS
> JONATHAN VAN DYKE: KRISEN OG EN KRISE I EN SKUESPILLERINDES LIV
> TREDIVE TRÆPLADER
> JAKOB EMDAL: BEAUTY CONSISTS OF BEING ABLE TO SEE FAR
> MILJOHN RUPERTO
> FORGOTTEN DESIGN PROBLEMS IN SHOWBIZ
> NEW NORDIC ARCHITECTURE
> A / L / O: RECESSION AESTHETICS
> MICHAEL STICKROD
> JULIE BORN SCHWARTZ
> PHIL THOMPSON: TEXTURES
> KURT FINSTEN: PAINTINGS PAINTINGS
> LLOYD CORPORATION: AN IDEA ONCE BUT NO LONGER FULFILLING
> NEVER EXPRESS YOURSELF MORE CLEARLY THAN YOU ARE ABLE TO THINK
> KEN CONSUMER: 640 IS MORE THAN ENOUGH
> GUNMAD
> PURNING TOINTS
> SESSION_12_WORDS + UNTITLED
> DAN GRAHAM: WORKS BETWEEN ART AND ARCHITECTURE FROM NEW YORK TO DENMARK
> MATT CONNORS
> THE DY(E)ING LIGHT OR THE CASE OF A SLEEPING BEAUTY
> MICHEL AUDER: DINNER IS SERVED
> VLADIMIR TOMIC: A WORKS
> MARIANNE HURUM, ARE MOKKELBOST: SPLITTET KJERNE
> OPENING EXHIBITION: COLLECTIVE SPIRITS
slideshow
27 pics

 

Forgotten Design Problems In Showbiz

 

Kristian Laudrup Hansen, f. 1987, New York.
Rasmus Søndergaard Johannsen, f. 1982, Frankfurt am Main.
Olga Pedan, f. 1988, Frankfurt am Main.
Christian Zickler, f. 1964, Frankfurt am Main.
November 2013

I ran into a Freak… He was all in green… Green jacket, green shirt, green pants, green shoes …
Even smoking green Gauloises. I said “How are you?” And he said “How am I? Can’t you see?
I’m in green, and against everything!”

- La Maman et La Putain (J. Eustache, 1973)

 

The exhibition title is a rewriting of Martin Kippenberger’s title “Forgotten Interior Design
Problems In L.A.”
One can ask oneself which problems might occur for an artist during the creative process, or
which problems that can happened between people who have to work together in unfamiliar
surroundings - design problems? One can also just ignore the meaning and instead see the title
as material, words and sentence, which has been changed with a simple formalistic gesture; the
rewriting.
Paintings and objects have been installed along the gallery’s barriers; the walls, the windows
and a ledge. The floor is left bare and a steel object is floating in a glass pavilion outside on the
grass. One senses a narration among the works’ complementary intense colors, figurations of
body parts, spiders, UFOs, and purple colored texts of ambience-fragments. The works want
their own and take distance from each other, as an uncomprehending idiom that speaks against
criteria for coherence and expression of completeness. In a roar of laughter over the jokes
hilarious pun, the articulation has got stuck in the throat as a gag one nearly gets choked on.